My Recommendations

Harry Potter and the Cursed Child at Palace Theatre ***** Fiddler on the Roof ***** My Neighbour Totoro ***** Witness for the Prosecution ***** Back to the Future ****

Off West End Pick of 2019


Top 5 Off West End shows of 2019





Lorna Dalla – Crazy Coqs Cabaret



Lorna Dallas is a West End star who having taken 20 years away from the limelight some may not recognise but in this ninety-minute cabaret she gives us every reason to rediscover her and enjoy her fabulous soprano voice and delightful story telling. Her song choices, arrangements and perfect delivery are an absolute joy. It is a wonderful collection of songs by brilliant lyricists and composers including Irving Berlin, Kander and Ebb, Cole Porter, Jerome Kern, Sammy Cahn, Ivor Novello , Anthony Newley and Rogers and Hammerstein II . But each is given an emotional context by the reminiscences from the different stages of her home life and from Show Business



Transit- Underbelly Southbank



The show is presented as a group of friends on a madcap journey by air as a link to their various spectacular acts. They took familiar circus acts to new levels as they challenged themselves to do it bigger and better. They were at their best when they performed as an ensemble team. A brilliant skipping routine where at times up to three ropes were spinning within each other was a great demonstration of their skill and timing. They saved the best to last with the phenomenally exciting Trampo-wall where four of the male acrobats bounced on a large trampoline and then appeared to walk up the wall of flight cases to reach the top, perhaps twenty feet above the ground before acrobatically tumbling back down. This was a Five-star circus act performed with great skill and fun and it provided a massively entertaining thrilling seventy-minute show which showed off Canada's greatest export.



Napoli Brooklyn – Park 200



Theatre can be powerful and emotionally engaging when you have a great script, brilliant cast and a strong production with a strong message for todays’ society. Napoli, Brooklyn was such a production – faultless moving storytelling and a message for all of us to “learn to take people how they are”. Written by a woman, directed by a woman and with a mainly female cast it does not really need the mother to tell us “women are the strongest ones”. We meet the family and find the Italian Mamma, Luda (a wonderful performance from Madeleine Worrall), no longer able to cry even with an onion held against her eye, her emotions suppressed by the powerful towering figure of her bullying husband Nic (a strong gritty performance from Robert Cavanah) and the responsibility for bringing up her three daughters. Each Family member is superbly characterised and played.





Panto Nativity – Kings Head



This year's Kings Head Christmas offering is the thirteenth Pantomime from the marvellous Charles Court Opera and for once it is a show that fully delivers on the promise of the handbill with a musical that takes " the story that sparked the season to create their most joyous show yet". With a delightfully simple effective set, a fabulous cast of five, some delightful reworking of well-known songs and a real appreciation of both Christmas and Pantomime they have magically produced an upbeat fun adult Pantomime that is a joy from start to finish. They pack the show with witty one liners, blatant innuendos and corny jokes, showcasing the talented cast and providing a fitting show for what the Kings Head must hope is the last Christmas at its spiritual home before it moves to a new building.





Ain’t Misbeahavin’- Southwark playhouse


This is a celebration of the music of Thomas "Fats" Waller and in many ways is a fore runner of the many musical tribute shows that now fill the West End and regional stages. Musically it is excellent with a wonderful five-piece jazz band recreating the sound of the Fats Waller and his Rhythm band under the musical supervision of Alex Cockle on piano and with delightful occasional trumpet and clarinet solos from Elias Jordan Atkinson and Mebrakh Haughton-Johnson respectively. In all they play some thirty tunes over the two hours running time each with an energy and sense of enjoyment which is infectious. The set designed by Takis evokes the New York Harlem jazz clubs of the 1920's and 1930's with a golden dance floor and raised steps on which the band sit. This

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